Book Review: Kalimpura

Would it suffice to say that I wanted (and hoped for) so much more from this series?

Kalimpura is the grand finale to the three book series on Green, the miscreant ninja girl punching her way through the conventional and divine worlds alike in the search, ultimately, to find a place for herself. As Endurance left off on some cliffhangers, Kalimpura picks up just after—and quickly pulls us away again from the city Green spent all of last book getting reacquainted with. That happens to probably be for the best, though, as things in Kalimpura have taken a turn for the worse, with the Temple of the Lily Goddess at its lowest point yet, and the gruff folks in the Bittern Court taking up a page from the megalomaniacal playbook.

A mess ensues. And I don’t mean for Green—I mean for us, the readers.

Lake has always had trouble with pacing in these books. Is Kalimpura’s more on-point and to par than the initial, scattered endeavor of Green was? Yes. Yet the trouble that arises in Kalimpura goes well beyond between random bouts of action and immovable characterized disconnection, to the actions of those characters themselves. You will want to ask them questions—you will not get the answers you desire, or more often, many answers at all. The baddies, as I said, are kind of in that megalomaniacal camp, with the classic baddy mentality—“What do you want? Everything! Why do you want it? Cause! When do you want it? Now!”

Where is the character? The personality? There is no growth here—and certainly not in the form of the myriad cast of red shirts and other randoms that traipse through to little end. Implausibilities (and I do try to use that word sparingly in fantasy) abound, and for the most part, there’s just no accounting for them beyond poor plotting.

As it has been all along, gender and religion (spirituality) are still critical here, and these are undertaken with the same interesting poise they have always been under Lake’s pen. Naturally, these raise more questions than answers, but they are points that get one thinking.

And then there’s Green. Green, Green, Green.

Green has been a frustrating character for me from the very beginning. She is detached, willfully disengages, and yet claims the contrary. She bemoans, and fighting always seems to be the first impulse—which is to say, she’s a fighter not a thinker; impulsive to the utmost. Her sexuality is always at the fore of her thoughts—even in the most awkward, inappropriate situations. Seriously, it’s this woman’s cure to all things. I have no problem with sexual situations in fantasy, but they are just poorly handled in these books, and feel, above all, like they’re there for the sex itself, not for any real purpose or advancement of the plot. Green is not an intricate character, and when one factors in her superwoman capabilities matched with the luck and incompetence of the world around her, things can seem…well, downright boring at times. Pre-supposed.

In all? This was a series with a lot of potential. There is a rich world lurking beneath the pages, that puts a lot of important questions to the forefront of our own investigative minds—but what we get is a poorly plodded, disappointing adventure, populated by characters lacking the staying power of personality.

Book Review: Endurance

(Before I begin, I want to give the same warning I’d give to anyone reading its predecessor, Green: TRIGGER WARNING! this book heavily features child trafficking, implied prostitution, physical/emotional/psychological abuse, and some pretty general sexual tones overall.)

Endurance, by Jay Lake.

It’s tragic when you can sense a shift as such, but…these books are going in the wrong direction. I don’t mean story-wise; I’m generally not one to criticize as such. Yet you know what they say about movie sequels? Apply here.

Endurance is the sequel to Green—an unusual book in and of itself in the mainstream fantasy genre for its frank sexual (alright, very and uniquely sexual), furry and BDSM tones—continuing the journey of the titular Green as she struggles to find a place for herself in a world that is just…really unkind to her. In so doing, however, Endurance tragically fails to evolve from its predecessor—it’s marred by similar issues, and fails on its own merits to materialize into anything truly hard-hitting.

But let me be frank: it’s good, and it’s quick, it’s just not great. If you want something to read on a goodly-lengthed airplane flight? This one is your book. The action scenes are well-written and entertaining, and there are still characters (alright, in my case, one character) that will amuse, if also baffle.

We get more of the gods in this book than we got even in the last one—it deals with their machinations (hi, Green!) and desires; along with a very steady dichotomy of male vs. female. Some rather chauvinistic baddies want to turn the world to a male god-dominated bachelor pad, while the female goddesses obviously want to preserve the status quo and keep people on their rightful, equal footing. Factor in restless Pardines, a city that can’t seem to get a sense of itself, and a new divine order for people to grow accustomed to, and my oh my, the troubles do abound.

People in the worlds of Jay Lake—well, they’re not very nice.

But I’m not about to be in describing that world just now either, so, deep breaths everyone. For one thing, while I’m no prude, the sexual quality in these books continues to be just…odd. It’s downright implausible in some of the situations in which it comes up, unnecessary to the extent it goes for (I.E. we’re not advancing plot here), and the language used in its description—well, I’ll give Lake creativity points for the last, at least. Also: Green is horny. All the time. Which is just as well, because apparently so are the female gods she follows. Oh dears.

The delivery of the novel itself is also oddly rendered. Several before me have poked at the POV—and I must lend my voice to that crowd. I can understand reflection. It lends things to a novel—pointed, powerful insights into the character we’re following. Not so, in Green’s case. She bemoans, certainly, but as she herself is not a terribly caring or overly thoughtful character (she’s an impulsive ninja, alright?), her “insights” achieve little more than to tell me what I just read of her actions were obviously poor choices on her part. This does little more than to UNDERCUT the moment of those failures, essentially being someone standing just off to the side of the screen saying: “Well, that was dumb of me. Oh my.” It breaks our involvement IN the action, IN the moment, IN the decision.

What’s more: the whole pregnancy detail. It should be a hell of a game changer. Yet right up until the very end, it only proves a conflicting issue at the most convenient moments. Green is always presented as far above and beyond your average woman—and she’d have to be, because if a real woman did half the things she does quite freely here (flipping over rooftops, knife fights, and leaping through windows, to name a few), there is no way her baby would survive to the happy day. She talks ABOUT the pregnancy as an issue a lot—but practically speaking, it rarely is one. She’s still fighting her way to glory right up until the end.

While Endurance has risen above the pacing issue that Green suffered from—no sudden, three book splits in this puppy—and solid attempts are made to craft some intricate plotting, most of the twists and turns end up being pretty predictable, and pretty much all cured by another high octane fist fight or two. Why are people doing the things they’re doing? Well, that’s still not gone into depth enough. People’s motives, even when explained, are not the most intricate or necessarily sensible or reasonable in and of themselves (and there’s always the: “We sensed these two were assassins, so we sexed the urge to kill out of them!” moment…urgh), and while many of the actions and reactions are all coming back on things that Green has done or caused, given her own impulsive nature, this whole series of events can seem somewhere…frustrating.

It’s always proper to end on a high note, though, and I’ll let Lake have that. What this book does have is spirituality, alongside its action. The spiritual aspect—the creation, destruction, and inherent questions that come along with the divine—is in full bloom here, and now more than ever being used to showcase gender issues. Endurance continues THAT tradition that Green set, and while it does not go into quite the expanded depth on that front that I would like form a sequel, it continues to present a rather in-depth world, which I always appreciate.

With Green, I could say I adored the early bits and came to face palm, a lot, over the later bits. With Endurance, the path is set from the very beginning, and it’s consistent all the way through—but the journey remains an entertaining, but not an overly engaging or substantial one.

A Catalog of Colorado

It’s been several weeks now since I returned from Colorado, and aside from a few shots used to accentuate some of my poems, I’ve not posted all that many shots from the trip. This is to set things right. Though I took hundreds of shots while out and about in the mountainous state, I have selected a few here as a sort of highlight real for the trip. WordPress, I think, would be quite upset with me if I tried to upload everything. In fact, I think I’d be liable to break the bloody system.

So here, in a nutshell, is my trip. What better inspiration could one have asked for? Sights featured in my shots include Rocky Mountain National Park, the Red Rocks and Red Rocks Amphitheater, my brother and sister-in-law’s home, and just a few shots from the more nature-inclined areas around Denver, CO.

Moya and Ares

The family.

Red Rocks Amphitheater

My brother, Jim

The folks

At the top of the world.

Moose!

My sister-in-law, Cassie.