A continuation from part 1:
There is a girl, dancing. Alone in the pitiless darkness of the moonlit night, the wind catches her hair and sways her swirling body to and fo as the leaves of the endless rows of circling trees begin to whistle and hiss. She rides the storm. She slows with every crack of the thunder’s whip. Back arches, lips part; her arms rise as if in composition, as her legs angle, her body silhouetted against the inky backdrop for an instant as she pitches her body into the sky.
Trailing through the brimming storm, strong legs touch down, feet slipping into the muck. Her body folds, crouching, eyes shut as she clutches to herself. A flash of lightning gives to total darkness.
There is nothing left of the body or the woman.
The dark one finds himself standing alone amidst a wide, desolate city. A tomb of grey–the sky is as dead and soulless as the walls that bar him in. Nothing bares itself to him save the forward path.
From realms unseen, the song enters into a furious upturn. He stumbles and the drums thrum and boom to a ferocious beat; the tubas swell beneath them, all breath sucking inward as the cacophonous strikes come deeper and swifter, supported by the soft, though hastening gathering of delicate high-pitched caresses–a legion of flutes, building to some unknown climax.
A note holds as he scrambles into the light. The city itself holds no sounds beyond the confines of his own shallowed breathing. A man could lose himself here, for detail is lost. Everything looks the same. Only height seemingly denotes any difference in the buildings arrayed before him, the high towers stretching into the nothingness of the sky until they, too, are lost.
The climaxing brass dies away as he begins to shamble inward. The percussion drops into a low, gathering repitition as the woodwinds press forward their own assault, consuming the city in a crescendo of caressing breaths.
In the emptiness of his paths, there remains nothing for him. His eyes shift, searching. A door beckons.