Under the twilit motes
he walks
with barefoot miniatures
across the asphalt deserts
of their play.
Exploration or
Resurrection.
When the drums struck
the alarum was the force
of dark eyes bleeding through the shade—
the cold hangs from every leaf,
the brush and stroke teaching
every motion how to breed
claws appropriate to the man-shaped
trails carved into the wood
She parallels without red capes
some wanderer left to packs
shunned for pale skin thickened
behind world-inked fur—
the lines, if only they knew the lines
time had bundled to Her breast
holding in pieces of Her
as She bloodies Herself in details;
haggard is the fall
but sharp the tongue,
curled up the spine as She bends
low, low, savoring the texture
of the wild on Her paws—
low, low are the drums
to the primal song of Her.
I may have mentioned earlier in the week that the poetic muse was striking me again (it has been some time since our last encounter). Perhaps it’s all the sun, perhaps it was the drama of nature’s power on display a few weeks ago, or simply life being in a sustainable position at the moment. It could also be the steady march the next novel’s taking to completion–got initial edits back from the editor a week or so back, and it has set my creative mind into a furious spiral of scribbles (or his own rather strikingly wonderful bits of poetry he shared with me at the time–mark my words, he’s going places). So much to do.
Regardless of the source though, a frenzy followed, and numerous works were penned this week. So it seemed only good and right to toss out a sample this weekend. Thus I give you the short “Poetic Measurements”…
Poetic Measurements
The weight of a poet
lies perched upon a strand of hair:
a breath could shudder out the shape of it
yet the light could scarcely lay it bare.
Its power crawls in shadow
a textured investigation of the fall
clinging fractions of humanity endow,
wriggling whispers beneath the mortal pall.
Regulation
is far afield of degradation—
any soul what calls them indivisible union
is part and parcel to a different communion—
no, you should not call it vice
if its only purpose is to excise
because, sweet child, that pill
may look back at you like some foul shill
but if we’re all dying in leagues
that intrigue will only lead to grim fatigue
and in the dying—we’ve all done it—
would you not ask for every trick or wit
in the hopes that one might cry sanctuary
salvation from death’s actuary?
Oh, you’re a noble crusader
you are, you wall, you sacrificial trader
willing to give all for some
but none for your own sum
when it’s a little thing, such little thing
could be the hope for which to sing,
instead participating in a self-castration:
questioning virtues of moderation.
Let me clarify: it’s not me asking. It’s the Washington Post.
http://www.washingtonpost.com/blogs/compost/wp/2013/01/22/is-poetry-dead/
Alexandra Petri, one of the paper’s pundits, investigated the assertion in an article last week (which I just discovered now). And I quote: “Poets are like the Postal Service — a group of people sedulously doing something that we no longer need, under the misapprehension that they are offering us a vital service.” What’s more, the article goes on to quote playwright Gwydion Suilebhan in delivering the dramatic title of this post: “Poetry is dead. What pretends to be poetry now is either New Age blather or vague nonsense or gibberish. It’s zombie poetry.”
By her own estimation, in fact, there is “no longer, really, any formal innovation possible.” That world-shaking revelations such as “Howl” or “The Waste Land” are no longer possible in a world where high production movies, video games, and other media are able to do everything the poet can do, but better.
Petri, naturally, was using this as a parallel point to journalism, which if any of you have been following the course of in recent years, is in very dire straits itself. If poetry is dead, then what of journalism?
Personally, I think it is exactly like journalism–in the regards that there will be a struggle for a time, a chaotic crumbling of identity whereby everyone is scrambling to rediscover just what it can be. But is it dead? Will it die? Certainly not. The identity will change. The nature of it will change, and find new ground. But I dare say–nay, I dare hope–this old dose of the literary, stalking us from the very dawning of civilization, is so engrained in us that it could never truly, utterly die.
So poets, journalists, I ask you, what do you think? What are your insights to this, and where do you think things are heading?
Of all the things that earth yet whelps
a spirit stands by wonder of the mass
humanity cycles through the grass;
it springs by blazing lights
onto pavement struck by nights
running roughshod over skin and sin
a dancing has-been formed of thought’s chagrin.
Beneath the wan light, a man does dream of neon exits
too dull to see the dancer’s fed him by the bit,
because oblivion is just another state of mind
a symptom of the daily grind.
Across the bar, blue eyes murmur: the bitter helps.
Paled lights
reflected in Dead Seas—
only Spirits linger.
Silence—
the noise that follows
After.
Complaint
never stood a virtue of the saint
though blood swirls thicker
than the drip of wine-water
at end of night the listener
stands high on rumored praise, blood thinner
than the back-arched paver—
yet the world, after all, loves a good feint.
Lately I am stricken
as the plots to dear and mortal earth do thicken—
kneel, kneel lest it all too readily quicken—
for like the desert winds of old Sahara,
it burns to know the subtle motions Terra
should pass me by to other eras.
Rage, rage the old man writes
yet dead is light at the sour sight
of youth so bitter cast, paralyzed by fright;
where is devotion to seek out age
where privilege become but flesh and cage,
and still the younger cry: engage, engage.